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June 25, 2006

A Midsummer Night's Brief Update

I haven't posted much lately. Work and some unexpected traveling have kept me busy. Also, I'm lazy. Also, there hasn't been much fun news to report. But there are two developments worth mentioning.

A New Attachment

We've got a new director on board the Lucy Liu project (DEVIL TO PAY) -- Antonia Bird.

This is exciting news. Antonia is a fine director (Priest, Mad Love). She made The Hamburg Cell, an excellent, understated film about the 9/11 terrorists. It's an interesting piece because the protagonists are about as unsympathetic as you can get (i.e. mass murderers) and there are no real antagonists in the story. Ordinarily, that's a recipe for a flat, conflict-challenged film. Yet, somehow it works extremely well.

I can't wait to see what Antonia does with my script.

Meet My Shorts

Another, smaller recent development is that my short film, DUST DEVIL, is now online.

A special thanks to Rod Ramsey for making that happen (despite my total lack of cooperation).

The short played at last year's LA Shorts festival, Shriekfest and the Haydenfilms Online Film Festival. It's a flawed film, but there's a lot about it that makes me proud. Also, everybody involved busted their ass on it, and I think it serves as a fine show reel for several of them.

Please check it out and lemme know what you think.

January 30, 2006

Hey, They Spelled My Name Right!

Variety and The Hollywood Reporter are both running an announcement that Lionsgate has acquired foreign rights to my thriller screenplay, DEVIL TO PAY, to star Lucy Liu.

(The above linked articles may require very expensive subscriptions).

I anticipate these sorts of trade notices with excitement and trepidation, ever since Variety botched the spelling of my name. Big deal, you say. And you're right. Except that, in this Internet age -- this post-Ain't It Cool News world -- these trade announcements are picked up and run on websites all over the world.

Google "Gillvary Sanctum" if you care to see how far and wide.

January 16, 2006

"Have you written anything I've seen?"

There's a certain satisfaction to the act of filling in the occupation field of a form with the word "screenwriter." It's even more satisfying when it's the truth -- when, after long years of struggle, you're finally making a living at something your mother rightly considered a deranged fantasy.

But the novelty wears thin when you've been doing it for a while, yet you still can't provide a positive response to the inevitable question that comes from the people reading that form:

"Oh, you're a screenwriter? Have you written anything I've seen?"

Civilians don't understand the vagaries of this business. They can't make sense of the Hollywood development machine. They're puzzled by any industry that would spend huge piles of money developing a product that's never going to get made.

Stupid civilians.

No. I haven't been produced yet. But, I'm looking for 2006 to change all that, because I've got three decent chances of seeing it happen.

First is a thriller called SLEEPWALKER, which I wrote for Intermedia. It's being produced by Mark Johnson and Scott Kroopf (men who have been involved with some excellent films, but none so sublime as Galaxy Quest and Bill and Ted's Excellent Adventure). SLEEPWALKER is a remake of a Swedish film of the same name, so it was not an original idea of mine. In fact, I was not even the first writer brought on for the remake. Still, it's something I'm proud of.

As I've said before, nothing's a sure thing in this business. And this project doesn't even have a director yet. But I have a good feeling about it anyway. And I'm not a superstitious person, so I'm not afraid of jinxing it.

Next up is a script called GRETA. That's the one that was almost lost to the ages. A producer/director named Rick Rosenthal is planning to produce GRETA on a low budget next summer, with the very cool music video maker Nancy Bardawil directing.

Again, nothing's a sure thing, but this one has a real good chance of going, due to the scale of the production and the people involved. These aren't guys who develop movies. They make them.

The third of my great hopes for '06 is another of my original screenplays, a thriller called DEVIL TO PAY. It's setup at Echo Lake Entertainment, and Lucy Liu is attached to star as a divorced mother who is forced to rob the bank where she works in order to save her kidnapped children. (UPDATE - 5/31/06: Antonia Bird is going to direct DEVIL TO PAY!)

These are not all of my projects, but they're the ones that stand the best chance of seeing the light of a film projector in the foreseeable future. Accordingly, I hope to be writing more about them on this site, to chronicle their progress.

Unless I really did jinx them just now.